Showing posts with label At Stockholm. Show all posts
Showing posts with label At Stockholm. Show all posts

Thursday, September 19, 2013

PTV & White Stains: "At Stockholm" revisited

Genesis P-Orridge at around the time of recording AT STOCKHOLM. 

At Stockholm was the first full length album by White Stains. After a turbulent first year of existence, circa 1987-1988, the band had evolved from loud psychedelic rock to considerably more experimental vibes. A great instigator of this change was Thomas Tibert, who became an integrated member late 1988. This intersectional dynamic is clearly audible when listening to material from the era. Compare, for instance, the two final "93" singles (The Awareness and The Result) – essentially pop music in contemporary clothes – with the first ever White Stains performance at the Hultsfred festival of 1989: violent and experimental ad-libbing.

Other interesting things happened at the time too. I made plans with Genesis P-Orridge to set up a Scandinavian spoken word tour for a mini-version of Psychick TV, ie Genesis and then wife Paula. There were some poetry festivals occuring here at around the same time, so we traveled to Copenhagen and Gothenburg, and then also did one in Stockholm. The gigs were more like performances than readings, as there was backing music and live tape manipulations. In all, a very trippy mix of lightheadedness and heavy duty existentialist spiritual poetry.

While in Stockholm, we recorded readings of approximately the same texts that had been used live. This was in Thomas' wonderful home studio (called The Reality Studio, as a nod of appreciation to the 23rd mind of William Burroughs), where also all of the White Stains material was recorded, from The Awareness single up to the The Somewhat Lost Horizon soundtracks.

Genesis was ultra-professional (as always) and as far as I can recall most of the recordings were "first takes". After this wonderful and impressive experience, Thomas and me merged the voice and tape recordings with the White Stains tracks we had prepared before, during and after the visit. We also had help from the very talented Per Aronsson in the structuring of things.

Then the project took on a life of its own. My newly started publishing company Psychick Release also acted as a record label (or vice versa), and took on the challenge to release the album. In 1990, it came out and was very well received. The flow aspect with 70 minutes of non-indexed music was appreciated, as it facilitated/facilitates focused listening and not just impulsive track skipping.

Later on, the album was re-released on CD by Etherworld (US, 1995 approx) and Voiceprint (UK, 2004). It was even later on released as an LP by Vinyl On Demand (Germany, 2011, as part of a beautiful Psychick TV box set), and has always had a presence somewhere, somehow. I even saw a bootleg of the Psychick Release edition in Russia in 2007 – truly an honor, as it was so amazingly well made.

But now it's back to the old homestead again, as Highbrow Lowlife presents the full 70 minute flow version again, remastered by Thomas Tibert for your uninhibited listening pleasure.

To celebrate this release we have posted a classic video clip from the era, aptly called At Stockholm, at the YouTube Channel. It was made by Fetish 23 in 1990 for the Psychick Release Video Trance Mission, vol 1. It features Super-8 footage of our little Temple Ov Psychick Youth spoken word tour with Genesis in 1989, including meetings with Nick Cave and Freddie Wadling. There will be more videos from this era uploaded soon.





AT STOCKHOLM 2013 REMASTER is available all over the digisphere from September 19th, 2013. Purchase includes a PDF booklet containing all the lyrics. Why not get this album straight from Highbrow Lowlife's own web shop? If you'd like to listen before buying, try Spotify or other quality music streaming services. Thank you.


All material on this blog is copyright © Carl Abrahamsson, unless otherwise stated.

Saturday, June 8, 2013

Psychick gig bliss up a head!


Genesis P-Orridge, Gothenburg 1989. © Carl Abrahamsson

It's never too late or too soon to look back and enjoy the past. Especially when it deals with future, as it does now. On June 29th, White Stains will resurface after a 20 year hiatus/hibernation. This in order to celebrate two specific projects: White Stains' 1990 album At Stockholm and Cotton Ferox' album Wordship (2004). Is there a common denominator? Of course. We made these albums together with Genesis Breyer P-Orridge – a living legend if there ever was one.

As we enter the stage at Nefertiti in Gothenburg on the 29th, Genesis will be with us. Not to make specific renditions or versions from our two albums, but rather to encourage and celebrate the atmosphere they contain. Very likely, we will surf on this wave of recurrence/resurgence to make a third album too. It would be stupid not to.

Late 1989, I organised a small spoken word tour for Genesis in Scandinavia. We had also already planned to record some of Gen's readings in a studio setting. As White Stains had just integrated sonic wizard Thomas Tibert, who had his own studio, everything moved on pleasant automatic. Gen read his poems perfectly – most of them were recorded on first takes – and when we later made the music for the poems it was like hand in glove on all levels. With textual material like that and a reading that smooth and professional, it's very hard not to make history.

Other adventures then intervened, as they usually do. But in 2002, it felt like it was high time again. As Genesis was coming over to do a lecture on his work at experimental music centre Fylkingen in Stockholm, Tibert and I prepared new music (then as Cotton Ferox) and it was bliss all over again. The result was released in 2004 in the form of Wordship. Some of these vocal recordings had also been used on Cotton Ferox' debut album First Time Hurts in 2002.

Someone as versatile as Genesis must surely have a hard time with projections from others. Is Genesis an (oc)cultural engineer, an industrial music pioneer, a collage artist, a philosopher, a magician etc? Well, of course, all of these and then some. But there is one all-permeating quintessence that is unmistakeable. Genesis is a poet. This is what fascinated me in the beginning of our friendship, and it still does. That's why it'll be an honour to share the stage with Gen and celebrate his/her poetry and the bizarre music that Tibert and I have concocted over the years. They go well together.

The performance will be neither "industrial" nor "electronica" nor "spoken word" but rather all of it in a colourful and quaquaversal mix created to make emotional jump cuts and possible existential mutations. It will be a grand old time spanning from ancient history to the distant future. I hope you'll be there together with us at Nefertiti in Gothenburg on June 29th, 2013, on this exciting adventure.


PS. You can buy all of the above albums at the iTunes Music Store. By buying the albums instead of illegally downloading them, you help us in the process of making and releasing new music. Thank you.

I should also mention that the concert is the public final event of a four day conference/symposium at the University of Gothenburg dealing with esotericism, occultism, alternative health movements and many other interesting things. Please consider taking part in this too!


"In the beginning there were White Stains." (Genesis 23:1)